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I am delighted to be presenting to you Marjo-Riikka’s response to my post, Why Actors Quit. It is passionate, and full of wonderful insight – really a must read.

Marjo-Riikka is a US based Finnish actress and founder of the successful Los Angeles based acting studio, Chekhov Studio International. She received her training at the Russian Academy of Dramatic Arts (GITIS) and holds an MFA in Acting from CSULB. She was a company member of the groundbreaking theatre group The Actors’ Gang, and is a present guest artist at Antaeus and has extensive stage credits from Europe. In the USA some of Marjo-Riikka’s favourite roles include Medea under the direction of David Bridel, Yelena in Uncle Vanya at the Classic Stage Company in NYC,  plus her work with Sarah Kane and Andrei Malaev-Babel at the Stanislavsky Theatre Studio in Washington DC. Her directing credits include Shakespeare, Chekhov, Schiller, and devised work. She has been featured in Back Stage, the Los Angeles Times, American Theater Magazine and several major European publications.

 

 

This profession is not for every one and it is certainly not for those looking for “cosy routines”.

 

Routine, in my opinion, should NOT be an option or any kind of goal for an actor, or any artist really. If an artist doesn’t choose discipline for brave, at times innocent, “new born” eyes towards life itself, she/he becomes a cynic. I don’t mean that an artist should not ever exercise a critical eye towards a circumstance or life condition, but in order to create new, one must be willing to let go of the established and look for the new within and outside of ourselves. “Cosy routines” hardly have brought much interesting or important art to the world!

I especially want to underline your sentence: “All the actors I’ve known who had purely cynical motives, have failed. All of them.”

Yes! And of course they have:

Acting means creating new life and one cannot create life, nor be inspired by anything life affirming, with cynical motives. Yes, sure, one can create out of emotional states of anger and desperation (but those emotions still have within themselves a strong wish of changing the circumstance and a braveness of feeling them, experiencing the emotion) where as cynicism means turning a way from life itself, letting go of hope, saying no to the experience itself, which (and this all actors should know) makes uninteresting stories… or the end of a story altogether… lack of an objective….in this case an end to an acting “career”.

A cynical attitude and inspiration (inspiration being the blessed state that an actor must find braveness and a pleasure to live in on a daily basis) cannot live in the same house. By “house” I mean your instrument, your whole being.

Being an actor means to be a “professional human being”. It means finding daily inspiration about life, without excuses. This is a very life-affirming profession! Being a successful, happy “professional human being” who has the ability, courage and stamina to explore and express all colors of the human condition. To be an actor, one must love the art of acting and understand and keep in mind that this is a profession of calling.

Acting is also a profession of joy. Even when the character is suffering, a part of the actor’s creative being will be enjoying the ride, the creation!

Learning to empower oneself as a creator in any job situation, and being inspired to love all aspects of the actor’s creative process is crucial for the actor’s personal feeling of success and happiness.

I also call for and enjoy working with those actors who want to expand their ability for empathy, widen their emotional and physical range, and find organic ways to achieve character transformation, these being some of the key elements to great acting. Even tough we don’t do brain surgery, we can make a difference of some sort in the world and do what I call “soul surgery”. It is my great hope that we can increase empathy in the world by telling the stories and sharing the visceral experience of the characters we play.

I don’t believe that some one with a true nature of an actor, will ever “successfully” quit. One might take a break from auditioning or take a vacation after a long run of a stage play, but if someone is an actor, a true creator of this kind, he/she will always look to create in one way or another, otherwise one would find oneself to be miserable!

Of course, I am very happy for those who decided that acting wasn’t just their greatest passion, and almost a necessity for them. It is probably a good idea to do something else, if you have an option! One should only choose this profession, acting, if this is what brings you the greatest happiness and makes sense for your life. Otherwise dear people, by all means do something else! Life is full of possibilities! So many more important professions are awaiting, many things to get done in this world! I truly mean this and am not writing this with any sarcasm.

I think what actors often mean when they say that they want to “quit” is that they want to quit desperately running after “the dream”. This in my opinion can be a good thing. I know many actors who, after “quitting”, started booking much more acting work, because they now had let go of that nasty, desperate energy and neediness of being accepted by every one in the business and “booking that job” and had now grounded themselves to their own special artistic individuality and started nourishing and enjoying their creativeness in a more creative way. In other words instead of trying to impress someone they started enjoying expressing themselves! They got to a place where they felt more whole as a human being and had accepted that whether they booked acting work or not, they had value as a human being. They did, in most cases, return to enjoying and having acting careers. They might also have found other kinds of creative work to support them financially so they could enjoy the acting when they did it.

In acting, the real dream is always already here already, with every role we are working on. One of the biggest paybacks for actors is that we get to live in the imaginary circumstances on daily basis. We get to experience the many lives and life experiences we never otherwise would, and we get to embrace and nourish empathy and story telling. If acting is seen this way, why would any one want to quit? Unless it is your bliss to be doing something more important in the world, and then please do! If we all were actors, the world would not get much done!
I’d like to end with this:

Acting is not a profession of competing with other actors, but rather a vocation of sharing with fellow human beings.

Stay inspired!

Warmly,
Marjo-Riikka Makela
Actor, Director, Artistic Director
Chekhov Studio International

 

 

2 thoughts on “The Great Acting Blog: “Marjo-Riikka Makela’s Response To My Blog On Why Actors Quit”

  1. Yes indeed – the continual improvement, and the doing it better, is one of the most enjoyable and most rewarding aspects of being actor – assessing your work this year against your work from a year ago, can be amazing….I agree also with your comment about Marjo-Riikka! Many thanks.

  2. I think it’s extremely important to listen to our needs as human beings around our acting and creative work. I have been a driven working actor for almost 30 years (16 and a half as a professional). Progressively I have discovered that my hunger for certain grounded, settled things in my life- things that one could characterize as ‘routine’. Things like a mate, a home, a family and a means of regular income when not performing. The need, the desire for these ‘routine’ things have gone from a whisper, to a shout in my soul. It’s vital to be committed, but it’s suicidal to shut out all else in my life and say that I can not be an artist if I have certain ‘routines’ in my life. You begin to dry up, and honestly that’s the way you become bitter. We sacrifice so much as actors, but if we sacrifice ‘a life’ then what do we have to act about? So I don’t agree that ‘routine’ is against true art. Routine is as nourishing as rehearsal, as performing the play again tomorrow night, as showing up for the discipline of our warm up before we work. I much prefer the word ‘laziness’ and the word you used ‘cynicism’ as the proper culprits in bad art. These come from fear and lack of self love and self care and from not having some of those things I mentioned already which equate to ‘a life.’
    – Matthew Foyd Miller

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